—"While I was carrying out my investigations on boxing and on the ghetto, I was in permanent contact with Pierre Bourdieu, who encouraged and guided me. Upon learning that I had signed up to learn how to box at the Woodlawn Boys Club, he had written me a note that said essentially, “Stick it out, you will learn more about the ghetto in this gym than you can from all the surveys in the world.” (Later on, as I got deeper into my immersion, he got a bit scared and tried to get me to pull back. When I signed up to fight in the Chicago Golden Gloves, he first threatened to disown me as he feared that I would get hurt, before realizing that there was no need to panick: I was well prepared for this trial by fire.) Bourdieu came to Chicago several times, visited the gym, and met DeeDee [Wacquant's boxing coach] and my boxer friends (I introduced him to them as “the Mike Tyson of sociology"). During one of these visits, we hatched the project of a book that would explicate the theoretical core of his work, aimed at the Anglo-American readership, since it was on this front that there were the strongest distortions and obstacles to a fertile grasp of his models. We devoted three years to writing this book across the Atlantic (by fax, phone, letters and meetings every few months), entitled An Invitation to Reflexive Sociology (Bourdieu & Wacquant 1992), in which we disentangle the nexus of habitus, capital, and field. During those years, I led a sort of Dr.-Jekyll-and-Mr.-Hyde existence, boxing by day and writing social theory by night. In the afternoon, I would go to the gym, train, hang out with my buddies, and “conversate” on end with our coach DeeDee before driving him home at closing time. And, later that evening, after having typed my fieldnotes, I would switch to the book manuscript with Bourdieu. It was in turns intoxicating, invigorating, and exhausting. But the daytime sessions as a student of pugilism offered both a respite from theoretical cogitation and powerful stimuli for thinking through the abstract issues tackled in the book in very mundane empirical terms. The sociology of the ghetto (which I had extended to encompass a comparison with the postindustrial transformation of the French urban periphery), the carnal ethnography of the skilled body, and theoretical work with Bourdieu: all of these strands were elaborated together and at the same time, and they are all woven together" (86-7).
—"The idea that guided me here was to push the logic of participant observation to the point where it becomes inverted and turns into observant participation. In the Anglo- American tradition, when anthropology students first go into the field, they are cautioned, “Don’t go native.” In the French tradition, radical immersion is admissible—think of Jeanne Favret-Saada’s ([1978] 1980) Deadly Words—but only on condition that it be coupled with a subjectivist epistemology which gets us lost in the inner depths of the anthropologist-subject. My position on the contrary, is to say, “go native” but “go native armed,” that is, equipped with your theoretical and methodological tools, with the full store of problematics inherited from your discipline, with your capacity for reflexivity and analysis, and guided by a constant effort, once you have passed the ordeal of initiation, to objectivize this experience and construct the object, instead of allowing yourself to be naively embraced and constructed by it. Go ahead, go native, but come back a sociologist! In my case, the concept of habitus served both as a bridge to enter into the factory of pugilistic know-how and methodically parse the texture of the work(ing) world of the pugilist, and as a shield against the lure of the subjectivist rollover of social analysis into narcissistic story telling" (87-8).
—"Apprenticeship is here the means of acquiring a practical mastery, a visceral knowledge of the universe under scrutiny, a way of elucidating the praxeology of the agents under examination . . . it relies on the most intimate experience, that of the desiring and suffering body, to grasp in vivo the collective manufacturing of the schemata of pugilistic perception, appreciation, and action that are shared, to varying degrees, by all boxers, whatever their origins, their trajectory, and their standing in the sporting hierarchy (Wacquant 2005a)" (88).
—Loïc Wacquant, “Habitus as Topic and Tool: Reflections on Becoming a Prizefighter.”
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